{"id":33,"date":"2025-02-17T15:09:56","date_gmt":"2025-02-17T14:09:56","guid":{"rendered":"https:\/\/svum.info\/?page_id=33"},"modified":"2026-02-06T16:27:47","modified_gmt":"2026-02-06T15:27:47","slug":"historie","status":"publish","type":"page","link":"https:\/\/svum.info\/?page_id=33","title":{"rendered":"Sdru\u017een\u00ed v\u00fdtvarn\u00fdch um\u011blc\u016f moravsk\u00fdch"},"content":{"rendered":"
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\"\"<\/figure>\n<\/div>\n\n\n

Sdru\u017een\u00ed v\u00fdtvarn\u00fdch um\u011blc\u016f moravsk\u00fdch Hodon\u00edn pat\u0159\u00ed mezi nejstar\u0161\u00ed um\u011bleck\u00e9 spolky
u n\u00e1s. Bylo zalo\u017eeno v roce 1907 a mezi zakl\u00e1daj\u00edc\u00ed \u010dleny pat\u0159ily v\u00fdrazn\u00e9 osobnosti tehdej\u0161\u00edho um\u011bleck\u00e9ho \u017eivota, nap\u0159. Jo\u017ea Uprka, Max \u0160vabinsk\u00fd, Jakub Obrovsk\u00fd aj. Tak jako jin\u00e9 um\u011bleck\u00e9 spolky, byl i SVUM v pades\u00e1t\u00fdch letech minul\u00e9ho stolet\u00ed zru\u0161en a jeho \u010dinnost byla obnovena a\u017e v prosinci roku 1990. V sou\u010dasn\u00e9 dob\u011b m\u00e1 SVUM p\u0159es 20 \u010dlen\u016f
a p\u0159edstavuje otev\u0159en\u00fd a modern\u00ed spolek. Um\u011bleck\u00e1 tvorba \u010dlen\u016f sdru\u017een\u00ed se t\u011b\u0161\u00ed \u0161irok\u00e9mu z\u00e1jmu n\u00e1v\u0161t\u011bvn\u00edk\u016f galeri\u00ed a v\u00fdtvarn\u00fdch s\u00edn\u00ed v Hodon\u00edn\u011b i v \u0159ad\u011b m\u00edst na Morav\u011b a v \u010cech\u00e1ch. Od roku 1991 p\u0159ipravil SVUM n\u011bkolik des\u00edtek v\u00fdstav sv\u00fdch \u010dlen\u016f a hostuj\u00edc\u00edch um\u011blc\u016f nap\u0159. v Praze, Brn\u011b, Zl\u00edn\u011b, Uhersk\u00e9m Hradi\u0161ti, Ostrav\u011b, Olomouci aj. V Galerii v\u00fdtvarn\u00e9ho um\u011bn\u00ed
v Hodon\u00edn\u011b spolek organizoval v\u00fdstavn\u00ed cyklus Mlad\u00ed host\u00e9 SVUM.<\/p>\n\n\n\n

Zakladatel\u00e9 Sdru\u017een\u00ed v\u00fdtvarn\u00fdch um\u011blc\u016f moravsk\u00fdch n\u00e1le\u017e\u00ed ke generaci, kter\u00e1 ve slo\u017eit\u00fdch n\u00e1rodnostn\u00edch, kulturn\u00edch a soci\u00e1ln\u00edch podm\u00ednk\u00e1ch Moravy konce 19. a po\u010d\u00e1tku 20. stolet\u00ed vykonala velk\u00e9 d\u00edlo v rozvoji \u010desk\u00e9 v\u00fdtvarn\u00e9 kultury. V posledn\u00edm desetilet\u00ed 19. stolet\u00ed doch\u00e1z\u00ed na Morav\u011b k \u017eiv\u00e9mu kulturn\u011b spole\u010densk\u00e9mu kvasu ozna\u010dovan\u00e9mu \u010dasto za opo\u017ed\u011bn\u00e9 n\u00e1rodn\u00ed procit\u00e1n\u00ed. Toto ozna\u010den\u00ed se nab\u00edz\u00ed porovn\u00e1n\u00edm s kulturn\u011b spole\u010densk\u00fdm v\u00fdvojem v Praze, kde byly obrozeneck\u00e9 tu\u017eby zavr\u0161eny v podstat\u011b ji\u017e v 60. a 70. letech
19. stolet\u00ed, vyj\u00e1d\u0159eny tak p\u0159esv\u011bd\u010div\u011b \u010diny generace N\u00e1rodn\u00edho divadla. V podm\u00ednk\u00e1ch rakousko-uhersk\u00e9 monarchie v\u00fdrazn\u011b pon\u011bm\u010den\u00e1 a pod zraky V\u00eddn\u011b do zna\u010dn\u00e9 m\u00edry kulturn\u011b izolovan\u00e1 Morava (n\u011bmeck\u00e9 Brno prohla\u0161ov\u00e1no za p\u0159edm\u011bst\u00ed V\u00eddn\u011b) \u0159e\u0161ila ot\u00e1zky n\u00e1rodn\u00edho obrozen\u00ed a\u017e generacemi, kter\u00e9 vstupovaly do kulturn\u00edho d\u011bn\u00ed kolem p\u0159elomu stolet\u00ed.<\/p>\n\n\n\n

Klub p\u0159\u00e1tel SVUM po\u0159\u00e1d\u00e1 besedy a pozn\u00e1vac\u00ed z\u00e1jezdy do v\u00fdznamn\u00fdch zahrani\u010dn\u00edch galeri\u00ed
a muze\u00ed. Sdru\u017een\u00ed v\u00fdtvarn\u00fdch um\u011blc\u016f moravsk\u00fdch v Hodon\u00edn\u011b v\u00fdrazn\u00fdm zp\u016fsobem ovliv\u0148uje kulturn\u00ed d\u011bn\u00ed nejen v regionu, co\u017e dokl\u00e1d\u00e1 i Cena za p\u0159\u00ednos hodon\u00ednsk\u00e9 spole\u010dnosti za rok 2007 ud\u011blen\u00e1 M\u011bstem Hodon\u00edn, ale sv\u00fdm v\u00fdznamem se stalo ned\u00edlnou sou\u010d\u00e1st\u00ed dne\u0161n\u00edho kulturn\u00edho \u017eivota.<\/p>\n\n\n\n

Historie<\/h2>\n\n\n\n

Ve v\u00fdtvarn\u00e9m um\u011bn\u00ed p\u0159ipadl tento \u00fakol pokolen\u00ed, kter\u00e9 jsme si zvykli v terminologii \u010desk\u00e9 historie um\u011bn\u00ed naz\u00fdvat generac\u00ed devades\u00e1t\u00fdch let. Jej\u00ed moravsk\u00e1 \u010d\u00e1st v \u010dele s mal\u00ed\u0159em Jo\u017eou \u00daprkou se formovala za vydatn\u00e9 podpory vlasteneck\u00e9 inteligence typu Vil\u00e9ma
a Aloise Mr\u0161t\u00edkov\u00fdch, Zdenky Braunerov\u00e9, Gabriely Preissov\u00e9, V\u00edt\u011bzslava Nov\u00e1ka a cel\u00e9 \u0159ady dal\u0161\u00edch. Nelze opomenout zejm\u00e9na velk\u00fd tv\u016fr\u010d\u00ed p\u0159\u00edklad hudebn\u00edho skladatele Leo\u0161e Jan\u00e1\u010dka.<\/p>\n\n\n\n

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Skupina um\u011blc\u016f na n\u00e1dvo\u0159\u00ed Besedy v Hodon\u00edn\u011b p\u0159i p\u0159\u00edle\u017eitosti v\u00fdstavy v r. 1907<\/em><\/figcaption><\/figure>\n\n\n\n

Do pop\u0159ed\u00ed z\u00e1jmu um\u011blc\u016f vstoupil moravsk\u00fd venkov a jeho lid, nositel bohat\u00fdch tradic lidov\u00e9ho um\u011bn\u00ed, p\u0159edstavitel zdrav\u00e9 jadrn\u00e9 n\u00e1rodnosti a potenci\u00e1ln\u00ed vn\u00edmatel vy\u0161\u0161\u00edch forem um\u011bn\u00ed. N\u00e1rodopisn\u00fd ruch, podn\u00edcen\u00fd p\u0159\u00edpravou a realizac\u00ed n\u00e1rodopisn\u00e9 v\u00fdstavy \u010deskoslovansk\u00e9 v Praze v roce 1895, j\u00ed\u017e p\u0159edch\u00e1zela \u0159ada v\u00fdstav krajinsk\u00fdch, tuto orientaci v pln\u00e9 m\u00ed\u0159e zaktualizoval a upevnil. M\u00edstem, kde se soust\u0159e\u010fovali morav\u0161t\u00ed um\u011blci poprv\u00e9, byl brn\u011bnsk\u00fd Klub p\u0159\u00e1tel um\u011bn\u00ed, zalo\u017een\u00fd v roce 1900. U jeho zrodu st\u00e1li p\u0159edev\u0161\u00edm \u0159editel Vesny J. Mare\u0161, d\u00e1le Leo\u0161 Jan\u00e1\u010dek, Jo\u017ea \u00daprka, architekt Du\u0161an Jurkovi\u010d a jin\u00ed z moravsk\u00e9 kulturn\u00ed reprezentace. Po kr\u00e1tk\u00e9m \u010dase se ve v\u00fdtvarn\u00e9m oboru Klubu objevilo i jm\u00e9no Jana \u0160tursy, Maxe \u0160vabinsk\u00e9ho, Adolfa Ka\u0161para, Franty \u00daprky, Stanislava Lolka anebo Aloise Kalvody. Ob\u011btav\u00e1 pr\u00e1ce n\u011bkolika nad\u0161enc\u016f Klubu p\u0159in\u00e1\u0161ela sv\u00e9 plody v podob\u011b \u0159ady v\u00fdstav jak v Brn\u011b, tak i mimo n\u011b. Progresivn\u00ed byla zejm\u00e9na tendence spolku odpoutat se od V\u00eddn\u011b
a orientovat spolupr\u00e1ci na Prahu jako centrum \u010desk\u00e9ho kulturn\u00edho \u017eivota.<\/p>\n\n\n\n

\u010cinorodou aktivitu vykazovala i dru\u017eina v\u00fdtvarn\u00fdch um\u011blc\u016f seskupen\u00e1 voln\u011b kolem osobnosti Jo\u017ei \u00daprky v tehdy nevelk\u00e9m moravsk\u00e9m Hodon\u00edn\u011b. Z podn\u011btu zdej\u0161\u00edho u\u010ditelsk\u00e9ho spolku Komensk\u00fd byla za spont\u00e1nn\u00edho souhlasu um\u011bleck\u00fdch kruh\u016f zorganizov\u00e1na v roce 1902 dnes ji\u017e historick\u00e1 Um\u011bleck\u00e1 v\u00fdstava slovensk\u00e1, j\u00ed\u017e lze pova\u017eovat za po\u010din, kter\u00fd p\u0159edznamenal pozd\u011bj\u0161\u00ed vznik SVUM. Spolu s moravsk\u00fdmi um\u011blci v\u011bt\u0161inou folkloristick\u00e9ho ra\u017een\u00ed (J. \u00daprka, F. \u00daprka, C. Mandel, A. Frolka, J.K\u00f6hler, L. Ehrenhaft a.j.)
tu vystoupili ve svorn\u00e9 jednot\u011b um\u011blci sloven\u0161t\u00ed (J. Hanula, M. Mitrovsk\u00fd, T.Andr\u00e1\u0161kovi\u010d,
K. Lehotsk\u00fd), kte\u0159\u00ed takto zaktivizov\u00e1ni utvo\u0159ili hned v p\u0159\u00ed\u0161t\u00edm roce 1903 Gruppu uhorsko-slovensk\u00fdch maliarov, prvn\u00ed spolek slovensk\u00fdch v\u00fdtvarn\u00edk\u016f. Nev\u00eddan\u00e1 \u00fa\u010dast m\u011bstsk\u00e9ho
i venkovsk\u00e9ho publika, velk\u00fd ohlas v tisku a v neposledn\u00ed rad\u011b n\u00e1v\u0161t\u011bva v\u00fdznamn\u00e9ho francouzsk\u00e9ho socha\u0159e Augusta Rodina (Rodin u p\u0159\u00edle\u017eitosti sv\u00e9 v\u00fdstavy v Praze v roce 1902 uskute\u010dnil z\u00e1jezd na Moravu, prohl\u00e9dl si hodon\u00ednskou v\u00fdstavu a nav\u0161t\u00edvil ateli\u00e9r
J. \u00daprky v Hroznov\u00e9 Lhot\u011b), to v\u0161e v\u00fdznamn\u011b povzbudilo um\u011bleck\u00e9 sebev\u011bdom\u00ed vystavuj\u00edc\u00edch a p\u0159edur\u010dilo Hodon\u00edn za budouc\u00ed st\u0159edisko spolkov\u00e9ho \u017eivota moravsk\u00fdch v\u00fdtvarn\u00edk\u016f.<\/p>\n\n\n\n

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St\u00e1l\u00e1 expozice plastik F. \u00daprky v Dom\u011b um\u011blc\u016f v Hodon\u00edn\u011b<\/em><\/figcaption><\/figure>\n\n\n\n

Kdy\u017e do\u0161lo v brn\u011bnsk\u00e9m Klubu p\u0159\u00e1tel um\u011bn\u00ed k vnit\u0159n\u00edm rozpor\u016fm, kter\u00e9 pramenily hlavn\u011b ze snah o p\u0159etvo\u0159en\u00ed osv\u011btov\u00e9ho spolku ve spolek um\u011blc\u016f a kter\u00e9 nebylo mo\u017eno p\u0159ekonat ani celoro\u010dn\u00edmi reforma\u010dn\u00edmi snahami, rozhodla se skupina um\u011blc\u016f v \u010dele s J. \u00daprkou a
A. Kalvodou v roce 1906 z Klubu odej\u00edt. Jejich jm\u00e9na se pak objevila v kv\u011btnu roku 1907 na velk\u00e9 reprezentativn\u00ed v\u00fdstav\u011b moravsk\u00fdch v\u00fdtvarn\u00fdch um\u011blc\u016f v Hodon\u00edn\u011b, kter\u00e1 sice je\u0161t\u011b nebyla po\u0159\u00e1d\u00e1na pod hlavi\u010dkou Sdru\u017een\u00ed, ale nenech\u00e1vala nikoho na pochyb\u00e1ch, \u017ee jde
o prvn\u00ed v\u00fdstavu nov\u011b vznikaj\u00edc\u00edho spolku.<\/p>\n\n\n\n

K ofici\u00e1ln\u00edmu zalo\u017een\u00ed Sdru\u017een\u00ed v\u00fdtvarn\u00fdch um\u011blc\u016f moravsk\u00fdch do\u0161lo a\u017e v m\u011bs\u00edci srpnu
u p\u0159\u00edle\u017eitosti II. v\u00fdstavy um\u011blc\u016f moravsk\u00fdch v budov\u011b \u010desk\u00e9ho gymn\u00e1zia ve Vala\u0161sk\u00e9m Mezi\u0159\u00ed\u010d\u00ed. J\u00e1dro zakladatelsk\u00e9 generace spolku tvo\u0159ila skupina um\u011blc\u016f, kter\u00e1 se od poutala od brn\u011bnsk\u00e9ho Klubu (Jan \u0160tursa a Max \u0160vabinsk\u00fd opustili spolek brzy po jeho zalo\u017een\u00ed), d\u00e1le pak v\u011bt\u0161ina autor\u016f zastoupen\u00fdch na Um\u011bleck\u00e9 v\u00fdstav\u011b slovensk\u00e9 v roce 1902
a n\u011bkolik v\u00fdtvarn\u00edk\u016f rozpt\u00fdlen\u00fdch zat\u00edm voln\u011b po Morav\u011b anebo inklinuj\u00edc\u00edch k nov\u00e9mu seskupen\u00ed sv\u00fdm moravsk\u00fdm p\u016fvodem. Jednozna\u010dn\u00e1 volba mal\u00ed\u0159e \u00daprky za p\u0159edsedu nov\u00e9ho spolku vyj\u00e1d\u0159ila vedle um\u011bleck\u00e9 v\u00e1hy jeho osobnosti i nesporn\u00fd v\u016fd\u010d\u00ed
a organiz\u00e1torsk\u00fd pod\u00edl um\u011blce na sjednocen\u00ed tak \u0161irok\u00e9 v\u00fdtvarnick\u00e9 obce. Oblast Vala\u0161ska reprezentovali mezi zakladateli hlavn\u011b brat\u0159i Alois a Bohum\u00edr Jaro\u0148kov\u00e9, z nich\u017e zejm\u00e9na B.Jaron\u011bk pat\u0159il vedle J.\u00daprky k nejv\u00fdrazn\u011bj\u0161\u00edm um\u011bleck\u00fdm opor\u00e1m a autorit\u00e1m Sdru\u017een\u00ed. Na d\u00e1lku z ciziny korespondoval s \u010dlenstv\u00edm Alfons Mucha, jeho\u017e pr\u00e1ce se na kolektivn\u00edch v\u00fdstav\u00e1ch SVUM objevuj\u00ed pom\u011brn\u011b \u010dasto. I kdy\u017e se s\u00e1m vnit\u0159n\u00edho \u017eivota spolku nijak nez\u00fa\u010dast\u0148oval , byla mu v\u00fdstavn\u00ed prezentace na Morav\u011b jednou z m\u00e1la p\u0159\u00edle\u017eitost\u00ed dotyku
s rodn\u00fdm krajem. V jeho pov\u011bdom\u00ed z\u016fstaly velmi \u017eiv\u011b uchov\u00e1ny i hlubok\u00e9 dojmy a z\u00e1\u017eitky
z Rodinovy n\u00e1v\u0161t\u011bvy na Slov\u00e1cku v roce 1902. K Morav\u011b se \u010dlenstv\u00edm ve spolku hl\u00e1s\u00ed
z Mnichova tak\u00e9 mal\u00ed\u0159 Franti\u0161ek Ondr\u00fa\u0161ek, kter\u00e9ho v\u00e1zala k v\u00fdznamn\u00e9mu evropsk\u00e9mu v\u00fdtvarn\u00e9mu centru p\u0159edev\u0161\u00edm bohat\u00e1 portr\u00e9tn\u00ed klientela. Na Moravu se vrac\u00ed a\u017e
v pozd\u011bj\u0161\u00edch letech, usazen do konce sv\u00e9ho \u017eivota v Byst\u0159ici pod Host\u00fdnem. Na prvn\u00edch v\u00fdstav\u00e1ch Moravan\u016f je zastoupen i mal\u00ed\u0159 Franti\u0161ek Bohum\u00edr Zv\u011b\u0159ina (1835 \u2013 1908 J, v t\u00e9 dob\u011b ji\u017e nestor moravsk\u00fdch um\u011blc\u016f a vlastn\u011b je\u0161t\u011b vrstevn\u00edk p\u0159\u00edslu\u0161n\u00edk\u016f generace N\u00e1rodn\u00edho divadla. V\u00fdraznou um\u011bleckou osobnost\u00ed byl od zalo\u017een\u00ed spolku tak\u00e9 krajin\u00e1\u0159
a mal\u00ed\u0159 lesn\u00ed zv\u011b\u0159e Stanislav Lolek. Nejmlad\u0161\u00ed genera\u010dn\u00ed sled pak reprezentoval velmi nad\u011bjn\u011b Jakub Obrovsk\u00fd, kter\u00fd se stal i v pozd\u011bj\u0161\u00edch letech uzn\u00e1vanou osobnost\u00ed nejen na poli um\u011bleck\u00e9m, ale vystupoval rovn\u011b\u017e jako publicista, prezentuj\u00edc\u00ed SVUM nej\u010dast\u011bji
v pra\u017esk\u00e9m D\u00edle (m\u011bs\u00ed\u010dn\u00edk Jednoty um\u011blc\u016f v\u00fdtvarn\u00fdch v Praze). Pro n\u011bkoho, stejn\u011b jako nap\u0159\u00edklad pro Aloise Kalvodu, Romana Havelku, Adolfa Ka\u0161para, Frantu \u00daprku a n\u011bkter\u00e9 dal\u0161\u00ed um\u011blce ze zakladatelsk\u00e9 generace SVUM, bylo charakteristick\u00e9 rozkro\u010den\u00ed mezi Moravou a Prahou, vyj\u00e1d\u0159en\u00e9 koneckonc\u016f i soub\u011b\u017enou \u00fa\u010dast\u00ed jak v hodon\u00ednsk\u00e9m Sdru\u017een\u00ed, tak v Jednot\u011b um\u011blc\u016f v\u00fdtvarn\u00fdch v Praze.<\/p>\n\n\n\n

Spolu s v\u00fdtvarn\u00fdmi um\u011blci se pod\u00edlela na \u010dinnosti SVUM i \u0159ada dal\u0161\u00edch osobnost\u00ed z rad moravsk\u00e9 inteligence. Prvn\u00edm tajemn\u00edkem spolku se stal hodon\u00ednsk\u00fd u\u010ditel Jan Kafka,
kter\u00fd byl organiz\u00e1torskou du\u0161\u00ed Sdru\u017een\u00ed stejn\u011b jako jeho pokra\u010dovatel profesor Jan Andrys.<\/p>\n\n\n\n

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Souborn\u00e1 v\u00fdstava J. Obrovsk\u00e9ho v r. 1935<\/em><\/figcaption><\/figure>\n\n\n\n

Vazba SVUM na n\u00e1rodopisn\u00e9 v\u00fdtvarn\u00e9 ideje \u00faprkovsk\u00e9ho ra\u017een\u00ed poutala zcela logicky tak\u00e9 pozornost n\u00e1rodopisc\u016f, jak\u00fdmi byli Josef Klva\u0148a a Franti\u0161ek Kretz. Oba pat\u0159ili k \u00daprkov\u00fdm dlouholet\u00fdm obdivovatel\u016fm a mecen\u00e1\u0161\u016fm. V\u011brn\u00e9 p\u0159\u00edznivce na\u0161el spolek tak\u00e9
v moravsk\u00fdch liter\u00e1rn\u00edch kruz\u00edch reprezentovan\u00fdch p\u0159edev\u0161\u00edm bratry Mr\u0161t\u00edky, kte\u0159\u00ed v\u011bnovali hnut\u00ed moravsk\u00fdch v\u00fdtvarn\u00edk\u016f mnoho hluboce zaujat\u00e9 publicistick\u00e9 energie. Velkou p\u0159\u00edze\u0148 projevovala spolku i obdivovatelka d\u00edla J. \u00daprky a milovnice slov\u00e1ck\u00e9ho folkl\u00f3ru pra\u017esk\u00e1 mal\u00ed\u0159ka Zdenka Braunerov\u00e1.<\/p>\n\n\n\n

Nov\u00fd spolek pronikl pom\u011brn\u011b rychle do kulturn\u00edho pov\u011bdom\u00ed nejen Moravy, ale i \u010cech
a Slovenska. Stalo se tak d\u00edky velk\u00e9mu po\u010dtu organizovan\u00fdch v\u00fdstav, \u0161irok\u00e9mu osv\u011btov\u00e9mu p\u016fsoben\u00ed a v neposledn\u00ed rad\u011b komer\u010dn\u00ed aktivitou. Nav\u00edc n\u011bkte\u0159\u00ed ze SVUM (A. Kalvoda,
F. \u00daprka, J. Obrovsk\u00fd) byli aktivn\u00edmi \u010dleny Jednoty v\u00fdtvarn\u00fdch um\u011blc\u016f v Praze a pom\u00e1hali osobn\u00edmi kontakty i \u0161irokou publicitou v Um\u011bleck\u00fdch listech proklamovat \u010dinnost spolku
v pra\u017esk\u00e9m kulturn\u00edm prost\u0159ed\u00ed. \u010cinnost SVUM v mezi-obdob\u00ed let 1907 \u2013 1913,
kter\u00e9 p\u0159edstavuje jednu z nejv\u00fdznamn\u011bj\u0161\u00edch kapitol v historii spolku, se v\u0161ak neomezuje pouze na v\u00fdstavn\u00ed prezentaci, \u0161ir\u0161\u00ed osv\u011btovou p\u016fsobnost a vnit\u0159n\u00ed organiza\u010dn\u00ed z\u00e1le\u017eitosti. D\u016frazn\u011b jsou otev\u00edr\u00e1ny ot\u00e1zky souvisej\u00edc\u00ed s \u0161irok\u00fdm pro gramem \u201epovznesen\u00ed um\u011bleck\u00e9ho ruchu na Morav\u011b“. Ji\u017e v roce 1908 p\u0159ich\u00e1z\u00ed SVUM s po\u017eadavkem z\u0159\u00edzen\u00ed Lidov\u00e9 akademie um\u011bleck\u00e9 na Morav\u011b (v Brn\u011b), kter\u00fd v\u0161ak sn\u011bmovna Markrabstv\u00ed moravsk\u00e9ho neakceptuje.<\/p>\n\n\n\n

S nemalou energi\u00ed se spolek dom\u00e1h\u00e1 autoritativn\u00ed kompetence v ot\u00e1zk\u00e1ch n\u00e1kupu um\u011bleck\u00fdch d\u011bl do Franti\u0161kova muzea v Brn\u011b anebo v ot\u00e1zce v\u00fdzdoby N\u00e1rodn\u00edho divadla
v Brn\u011b. Na po\u0159ad valn\u00fdch shrom\u00e1\u017ed\u011bn\u00ed SVUM se dost\u00e1v\u00e1 i problematika rozvoje lidov\u00e9ho um\u011bleck\u00e9ho \u0159emesla a um\u011bleck\u00e9ho pr\u016fmyslu na Morav\u011b. Spolek vych\u00e1z\u00ed rovn\u011b\u017e
s po\u017eadavkem na z\u0159\u00edzen\u00ed n\u00e1rodopisn\u00e9ho muzea a dokonce navrhuje, aby byl n\u00e1rodopis za\u0159azen do \u0161kolsk\u00fdch osnov jako vyu\u010dovac\u00ed p\u0159edm\u011bt. SVUM p\u0159ekro\u010dilo velmi brzy hranice \u00fazk\u00e9ho region\u00e1ln\u00edho p\u016fsoben\u00ed a vedeno ideou slovansk\u00e9 soun\u00e1le\u017eitosti po\u010dalo organizovat
i v\u00fdstavy mezin\u00e1rodn\u00edho charakteru. Po \u00fasp\u011b\u0161n\u00e9 prezentaci polsk\u00e9ho um\u011bn\u00ed v roce 1909
se stali Hodon\u00edn\u0161t\u00ed inici\u00e1tory P\u0159erovsk\u00e9ho kongresu, na n\u011bm\u017e bylo rozhodnuto uspo\u0159\u00e1dat velkou v\u00fdstavu slovansk\u00fdch um\u011blc\u016f v Krakov\u011b. I kdy\u017e nebyla podle p\u016fvodn\u00edho z\u00e1m\u011bru uskute\u010dn\u011bna, z\u00fa\u010dast\u0148ovali se \u010dlenov\u00e9 SVUM rady v\u00fdstav po\u0159\u00e1dan\u00fdch na \u00fazem\u00ed slovansk\u00fdch st\u00e1t\u016f (Polsko, Ukrajina, Rusko, Bulharsko).<\/p>\n\n\n\n

Sdru\u017een\u00ed v\u00fdtvarn\u00fdch um\u011blc\u016f moravsk\u00fdch prosazovalo hned od po\u010d\u00e1tku sv\u00e9 existence velmi c\u00edlev\u011bdom\u011b z\u00e1m\u011br vybudovat vlastn\u00ed spolkov\u00fd d\u016fm, kter\u00fd by slou\u017eil jak k v\u00fdstavn\u00ed prezentaci, tak k napln\u011bn\u00ed \u00fakol\u016f \u0161ir\u0161\u00edho kulturn\u011b spole\u010densk\u00e9ho v\u00fdznamu. Ke konkr\u00e9tn\u00edm \u00favah\u00e1m o postaven\u00ed domu doch\u00e1z\u00ed v roce 1909. Vedly se spory o m\u00edst\u011b stavby. Ve h\u0159e bylo Brno, Uhersk\u00e9 Hradi\u0161t\u011b a Hodon\u00edn. Volba padla na m\u011bsto Hodon\u00edn, kter\u00e9 vykazovalo nejvhodn\u011bj\u0161\u00ed podm\u00ednky. Na mimo\u0159\u00e1dn\u00e9 valn\u00e9 hromad\u011b SVUM v b\u0159eznu roku 1911 byla projedn\u00e1v\u00e1na v\u00fdstavba Domu um\u011blc\u016f ji\u017e do v\u0161ech organiza\u010dn\u00edch podrobnost\u00ed. V anonymn\u00ed sout\u011b\u017ei o nejlep\u0161\u00ed architektonick\u00fd n\u00e1vrh obst\u00e1l architekt Anton\u00edn Bla\u017eek, dekorativn\u00ed v\u00fdzdobou na fas\u00e1d\u011b a v interi\u00e9ru byl pov\u011b\u0159en mal\u00ed\u0159 Jano K\u00f6hler.<\/p>\n\n\n\n

\"\"
\u010clenov\u00e9 SVUM v Dom\u011b um\u011blc\u016f v r. 1952 (zleva H. Kova\u0159\u00edk, J. Andrys, J .Pelik\u00e1n,<\/em>
M. St\u0159\u00ed\u017ekov\u00e1-\u0160imkov\u00e1, H. V\u00e1clavek, A. Mervart, B. Sa\u0148a, J. Jambor, F. \u0160t\u00e1bla, J. Prokop)<\/em><\/figcaption><\/figure>\n\n\n\n

K slavnostn\u00edmu otev\u0159en\u00ed Domu um\u011blc\u016f do\u0161lo 4. kv\u011btna 1913 zah\u00e1jen\u00edm X. jubilejn\u00ed \u010dlensk\u00e9 v\u00fdstavy. Tento den byl sv\u00e1tkem cel\u00e9ho Slov\u00e1cka a p\u0159ilehl\u00fdch oblast\u00ed. Dostavily se davy lid\u00ed
z \u0161irok\u00e9ho okol\u00ed. Je\u0161t\u011b p\u0159ed vypuknut\u00edm 1. sv\u011btov\u00e9 v\u00e1lky uspo\u0159\u00e1dalo Sdru\u017een\u00ed v nov\u00e9 budov\u011b hrn\u010d\u00ed\u0159sk\u00fd a n\u00e1sledn\u011b tkalcovsk\u00fd kurz. Byl to krok k napln\u011bn\u00ed my\u0161lenky o z\u0159\u00edzen\u00ed um\u011bleck\u00fdch d\u00edlen orientovan\u00fdch na lidov\u00fd projev. V pov\u00e1le\u010dn\u00fdch letech ji\u017e nebyla tato \u010dinnost obnovena.<\/p>\n\n\n\n

V Dom\u011b um\u011blc\u016f byly realizov\u00e1ny v pr\u016fb\u011bhu let dv\u011b p\u0159\u00edstavby. Prvn\u00ed se uskute\u010dnila v roce 1914, druh\u00e1 v roce 1941. Ob\u011b vych\u00e1zely z Bla\u017ekovy architektonick\u00e9 koncepce. N\u00e1let na Hodon\u00edn v roce 1944 budovu t\u011b\u017ece po\u0161kodil. D\u00edky ob\u011btavosti \u010dlen\u016f SVUM byl nov\u011b opraven\u00fd d\u016fm d\u00e1n do provozu ji\u017e v \u010dervnu roku 1947. K zakladatelsk\u00e9 generaci SVUM
se v pr\u016fb\u011bhu let postupn\u011b p\u0159idru\u017eila rada dal\u0161\u00edch um\u011blc\u016f zvu\u010dn\u011bj\u0161\u00edch anebo m\u00e9n\u011b zn\u00e1m\u00fdch jmen. K t\u011bm prvn\u00edm n\u00e1le\u017e\u00ed bezesporu Slov\u00e1k Martin Benka, znamenit\u00fd mal\u00ed\u0159 Old\u0159ich Bla\u017e\u00ed\u010dek, krajin\u00e1\u0159i Augustin Mervart a Josef Jambor anebo brn\u011bnsk\u00fd mal\u00ed\u0159 Karel J\u00edlek.
Mezi socha\u0159i najdeme Julia Pelik\u00e1na, Jaroslava Krep\u010d\u00edka, V\u00e1clava Adolfa Kovani\u010de i Aloise Bu\u010d\u00e1nka, kter\u00fd je autorem sochy T. G. Masaryka v Hodon\u00edn\u011b.
Bohu\u017eel, spolek roz\u0161i\u0159oval od po\u010d\u00e1tku dvac\u00e1t\u00fdch let sv\u00e9 rady v\u011bt\u0161inou o mlad\u00e9 um\u011blce, kte\u0159\u00ed konvenovali sv\u00fdm zalo\u017een\u00edm v t\u00e9 dob\u011b ji\u017e ustrnul\u00fdm postoj\u016fm zakladatel\u016f a v\u011bt\u0161ina
z nich nem\u011bla v kontextu \u010desk\u00e9ho v\u00fdtvarn\u00e9ho um\u011bn\u00ed vy\u0161\u0161\u00ed um\u011bleck\u00e9 ambice. V t\u00e9to dob\u011b doch\u00e1z\u00ed st\u00e1le \u010dast\u011bji ke kritice um\u011bleck\u00e9 stagnace SVUM, kter\u00e9 ve v\u00fdstavnick\u00e9 pohod\u011b, obklopeno vlastn\u00edm publikem, pro\u017e\u00edv\u00e1 dobu poklidn\u00e9ho spolkov\u00e9ho \u017eivota jit\u0159en\u00e9ho \u010das
od \u010dasu jen polemikami s kritikou \u00fato\u010d\u00edc\u00ed na konzervativn\u00ed um\u011bleck\u00e9 postoje mlad\u0161\u00edch generac\u00ed Sdru\u017een\u00ed. Tato situace p\u0159etrv\u00e1v\u00e1 i ve t\u0159ic\u00e1t\u00fdch letech.<\/p>\n\n\n\n

V obdob\u00ed po 2. sv\u011btov\u00e9 v\u00e1lce a\u017e do vynucen\u00e9ho ukon\u010den\u00ed spolkov\u00e9 \u010dinnosti v roce 1959 vstoupila do SVUM je\u0161t\u011b \u0159ada mlad\u00fdch um\u011blc\u016f, n\u00e1le\u017eej\u00edc\u00edch v\u011bt\u0161inou k okruhu zl\u00ednsk\u00e9 \u0160koly um\u011bn\u00ed a St\u0159edn\u00ed um\u011bleckopr\u016fmyslov\u00e9 \u0161koly v Uhersk\u00e9m Hradi\u0161ti. Objevuj\u00ed se jm\u00e9na mal\u00ed\u0159\u016f Karla Hofmana, Rudolfa Gajdo\u0161e, Vladim\u00edra Hrocha, Vladislava Vaculky, Franti\u0161ka Nikla
a dal\u0161\u00edch. K socha\u0159sk\u00e9 garnitu\u0159e n\u00e1le\u017e\u00ed nap\u0159\u00edklad Ji\u0159\u00ed Ja\u0161ka anebo zn\u00e1m\u00fd design\u00e9r Zden\u011bk Kov\u00e1\u0159. Po \u00fanorov\u00e9m p\u0159evratu v roce 1948 doch\u00e1z\u00ed k postupn\u00e9mu ru\u0161en\u00ed v\u00fdtvarn\u00fdch spolk\u016f a skupin. SVUM je zlikvidov\u00e1no a\u017e v roce 1959. D\u016fm um\u011bn\u00ed v Hodon\u00edn\u011b byl zest\u00e1tn\u011bn
a v\u010dlen\u011bn do s\u00edt\u011b \u010deskoslovensk\u00fdch st\u00e1tn\u00edch galeri\u00ed.<\/p>\n\n\n\n

V nov\u00fdch svobodn\u00fdch spole\u010densk\u00fdch podm\u00ednk\u00e1ch po roce 1989 se rozhodlo n\u011bkolik star\u0161\u00edch um\u011blc\u016f, b\u00fdval\u00fdch \u010dlen\u016f spolku, se skupinou nov\u00fdch z\u00e1jemc\u016f z \u0159ad v\u00fdtvarn\u00edk\u016f obnovit \u010dinnost SVUM. Soust\u0159e\u010fuj\u00ed se p\u0159edev\u0161\u00edm na prezentaci sv\u00fdch v\u00fdtvarn\u00fdch prac\u00ed formou kolektivn\u00edch a individu\u00e1ln\u00edch v\u00fdstav. <\/p>\n\n\n\n

<\/p>\n\n\n\n

JAROSLAV PELIK\u00c1N<\/p>\n","protected":false},"excerpt":{"rendered":"

Sdru\u017een\u00ed v\u00fdtvarn\u00fdch um\u011blc\u016f moravsk\u00fdch Hodon\u00edn pat\u0159\u00ed mezi nejstar\u0161\u00ed um\u011bleck\u00e9 spolky u n\u00e1s. Bylo zalo\u017eeno v roce 1907 a mezi zakl\u00e1daj\u00edc\u00ed \u010dleny pat\u0159ily v\u00fdrazn\u00e9 osobnosti tehdej\u0161\u00edho um\u011bleck\u00e9ho \u017eivota, nap\u0159. Jo\u017ea Uprka, Max \u0160vabinsk\u00fd, Jakub Obrovsk\u00fd aj. Tak jako jin\u00e9 um\u011bleck\u00e9 spolky, byl i SVUM v pades\u00e1t\u00fdch letech minul\u00e9ho stolet\u00ed zru\u0161en a jeho \u010dinnost byla obnovena a\u017e … <\/p>\n

Pokra\u010dovat ve \u010dten\u00ed „Sdru\u017een\u00ed v\u00fdtvarn\u00fdch um\u011blc\u016f moravsk\u00fdch“<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-33","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/svum.info\/index.php?rest_route=\/wp\/v2\/pages\/33","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/svum.info\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/svum.info\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/svum.info\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/svum.info\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=33"}],"version-history":[{"count":20,"href":"https:\/\/svum.info\/index.php?rest_route=\/wp\/v2\/pages\/33\/revisions"}],"predecessor-version":[{"id":386,"href":"https:\/\/svum.info\/index.php?rest_route=\/wp\/v2\/pages\/33\/revisions\/386"}],"wp:attachment":[{"href":"https:\/\/svum.info\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=33"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}